Allen 450 Spécifications télécharger pdf (Page 6)

RENAISSANCE 450 SECTION II

RENAISSANCE 450 STOP LIST

Following is a discussion of individual stops and how they are generally used. Please

note that due to dynamic nature of Renaissance voices, variations in specifications

may be encountered.

PEDAL ORGAN:

32’ Contre Violone Rich string tone at the bottom of the Pedal Division.

(With Reversible)

32’ Contre Bourdon Large, heavy bass flute tone.

(With Reversible)

16’ Diapason The 16’ member of the Pedal Principal Chorus.

Strongest Pedal Division flue stop.

16’ Bourdon Stopped flute tone of weight and solidity.

16’ Violone Rich string tone, gives registrations more definition.

16’ Lieblichgedackt Softer stopped flute of delicacy and definition. Useful

(Swell Expressed)

when the softest 16’ pitch is required.

8’ Octave 8’ member of the Pedal Principal Chorus.

8’ Gedacktflöte Stopped flute tone of 8’ pitch, useful in adding clarity to

a pedal line in combination with the 16’ Bourdon or 16’

Lieblichgedackt.

4’ Choralbass Pedal 4’ principal tone.

4’ Flute Stopped flute one octave above 8’ Gedacktflöte pitch.

Mixture IV Four rank mixture, a compound stop of principal tones.

One pedal keyed produces four distinct pitches at octave

and fifth relationships. Used to crown the Pedal

Principal Chorus.

32’ Contre Bombarde A robust French reed that lends strength and snarl to the

(With Reversible)

Pedal line. Used with large stop combinations.

16’ Waldhorn Imitation of the hunting horn. Excellent reed stop to

(Swell Expressed)

combine with other reeds or flues.

16’ Bombarde A strong Pedal reed that lends strength and snarl to the

Pedal line.

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Allen 450 Spécifications Page 6